28 October - 13 December 2019
Application deadline midnight 30 June 2019
Before filling out the application, please read over the entirety of the form to prepare all the necessary documents.
You will need to upload:
1. A cover/motivation letter
2. A full CV
3. A short biography of 250 words
4. A project description of 500 words
5. A letter of recommendation
6. A high resolution portrait picture of yourself
7. Health information
What is RAW Académie?
RAW Académie is an experimental residential programme for the research and study of artistic and curatorial practice and thought. The programme takes place over 7 weeks in Dakar. It is dedicated to a dynamic reflection on artistic research, curatorial practice and critical writing. The Académie is held during two distinct sessions per year; March–May and October–December. Session 7 will be led by the artist and filmmaker Eric Baudelaire (FR). It will take place from 28 October to 13 December, 2019.
Session 7: Images for our times
RAW Académie Session 7 directed by filmmaker Eric Baudelaire (FR), will focus on film. New ways to see, to hear and to share, to help us question the urgencies of the present, not so much to explain them but to question ourselves in the face of them. Seven weeks to reflect on the relationship between film and actuality, between images and events, between art and the real.
While a shared definition of what constitutes the real eludes us, we have imagined this session with a great love for those who devote themselves, in various ways, to trying to grasp it, to studying its mechanisms, or simply to shining a light on a sliver of it. The faculty of session 7 is made up of fellow travelers who share these concerns, and have been engaged in reflecting on the real with variable doses of fiction, invention, imagination and observation.
A passage from Samuel Beckett comes to mind: “… there will be a new form and (…) this form will be of such a type that it admits the chaos and does not try to say that the chaos is really something else. The form and the chaos remain separate… That is why the form itself becomes a preoccupation, because it exists as a problem separate from the material it accommodates. To find a form that accommodates the mess, that is the task of the artist now.”
Today, the word mess as a synonym for the word real seems as prescient as ever. What matters about Beckett’s formulation, what feels urgent and relevant about it in the current moment, is that it doesn’t speak of a task to reveal the mess, or deconstruct the mess – it speaks of a need to accommodate it in a form, so that we may find new ways to relate to it, whatever that form may be.
Throughout the Académie, we will discuss the potentialities of images and sounds. Together, we will watch a film a day: films authored by, and films that have inspired the visiting faculty. We will consider film as a means of resistance, a tool to generate new critical forms, material and ideas, a medium for creating a common experience. We will juxtapose fictions that have documentary tendencies with documents that open fictional spaces, and instigate a dialogue between them. We will inhabit the space between story and history. We will discuss expanded practices, beyond film and projections: convening other artworks, archives, performances and discussions into the exhibition space, working with printed matter, inventing new models of interaction between artist, audience and material.
Images for our times will be structured around rituals and repetition. Each day will begin with a screening, followed by a walk. A perambulation through the city of Dakar towards a new location where we will sit and discuss what we have screened. The program will not be production focused, but fellows will be encouraged to work on small projects, make images in Dakar, and share them with the fellows during dedicated weekly viewing sessions.
The curriculum will be shaped each week by the visiting faculty members: filmmakers and artists John Akomfrah, Mati Diop, Alain Gomis, Joana Hadjithomas and Khalil Joreige, Alfredo Jaar, Naeem Mohaiemen, curator and writer Rasha Salti and film scholar Nicole Brenez.
Every Friday will conclude with an evening outdoor screening at the historical Cinéma Empire in the Médina.
Through the screenings, the walks and the discussions, RAW Académie Session 7 will reflect on a cinema that searches for new forms to accommodate the real, with the conviction that a form can create a community of circumstance. A community that exists because of the form, a community that thinks about problems that the observed real poses. What remains important is experiencing a sensation together, experiencing a non-fragmented continuity together. Thinking anew our sense of time as we reflect about the mess. Affirming an urgency to rethink our experience of time.
This session is open to filmmakers and artists interested in working with moving images, as well as film programmers, curators, researchers, and art historians with a commitment to the moving image.
The programme is tuition-free. Successful applicants will have to cover their travel arrangements (including visa), accommodation, insurance and costs of living in Dakar for 7 weeks. Depending on the work schedule, simple meals/snacks may be offered occasionally.
1. Successful applicants are required to commit to being in Dakar throughout the duration of the session
2. Be a graduate of an art school, curatorial programme, architecture school or any department of humanities
3. Be fluent in either French or English and have a fair knowledge of the other. Successful applicants will be skype interviewed in both languages for assessment.
DIRECTIONS FOR COMPLETING THIS APPLICATION
Please complete the following sections to the best of your ability. Applications that do not respect the word limits will not be considered for review. Please note that only shortlisted applicants will be contacted for an interview.